Mozambican Odyssey, #16: Car Trouble in South Africa

 

Here we are after losing a tire on the road in South Africa.
While Martin and Don haul the tire up out of the ravine, 6-year-old Joseph finds a tree to climb.

Car Trouble in South Africa

“Divine love is incessantly restless until it turns all woundedness into health, all deformity into beauty, and all embarrassment into laughter.”  — Beldon Lane*

By October of 1996, in Mozambique, we had managed to buy a small used car to get our family around until we could get something better.  Shopping in Maputo, Mozambique was very limited, so we wanted to travel to South Africa like our coworkers did for supplies and groceries that we could not find in Mozambique.  Our good friends, the Hulsey family, decided to go with us to show us around, and to make sure our little car could make the trip.

We waited about 2 hours just to get through the border between the two countries, and then, about 20 minutes into South Africa, we heard a strange sound.  All of a sudden, one of our tires flew off, speeding down into a ravine on the side of the road, and then launching back up into the air and disappearing again over the side of the road!

We were able to get to the side of the road without injury, and the Hulseys pulled over to help since they were following us.  My poor little 3-year-old Hannah was nearly hysterical, and I could hardly blame her after waiting 2 hours at the border and then this.

“What are we gonna do now? she wailed. Our car is broken!”

I wanted to wail too, but I didn’t.

We found the tire down in a ravine beside the road.  Don Hulsey had the always-prepared-seasoned-missionary-equipment in his car, lots of rope and hooks and such.  He held the rope as Martin rappelled down into the ravine by the rope to retrieve the tire.  I am glad I was not watching.

After the men hauled the tire up through the brush with the rope, we then piled both families of 5, yes, 10 of us, into the Hulsey’s landrover and went in search of a mechanic.

Today we laugh about this adventure, but had the Hulseys not been with us, it could have been horrible and dangerous.  There were rumors about little kids being kidnapped and used for “parts,” and the crime rate in South Africa was very high.  Had there been cars coming, the tire would very likely have caused a wreck.  God has protected us so many times through situations that could have been disastrous, and he has turned our “embarrassment into laughter.”*

This week in November, 2019, in Kentucky, again our family is having car trouble, but I am thankful that we are all safe.  Once again, I am so thankful for lifelong friends like the Hulseys who have been there for us so many times.  I am also thankful for my family, and how we take care of each other.

Finally, this Thanksgiving, I am thankful for a God who “turns all woundedness into health, all deformity into beauty, and all embarrassment into laughter.”*  I am still waiting on some of this to be completed, but I am also trying to focus on how much God has already done for me.  Praying you will experience the goodness of God this holiday season.

*Beldon Lane. Quoted in Tattoos on the Heart by Gregory Boyle

This Artist’s Life, #12: Working with our Hands

 

Ancient Cedars in the Summer Sun, Oil on Canvas, 11 x 14 inches, by Susan E. Brooks will be on display at the Jane Morgan Gallery from December 5 – April 2020.

 

“Where the spirit does not work with the hand, there is no art.”*

—Leonardo Da Vinci

I have to admit that I do not know exactly what Leonardo meant by these words, but this quotation is thought-provoking for me.  As usual, I am feeling a little sad with the approaching of winter and even the holidays.  I need some encouragement.  One way I can find encouragement, is to work with my hands.

I was having a conversation with an artist/teacher friend the other day, and we agreed that there is something healing about creating with your hands.  I find that whether it’s painting, drawing, or making a pie for Thanksgiving, I feel better and breathe easier when I’m working with my hands.

Too often, I am just “in my head,” worrying over the grandkids’ health or the latest car trouble, and I need the healing that creative work brings.  We sometimes act like we are only vehicles meant to carry our brains around while they do all of the important work.  The reality is, we are body, soul, and spirit, all connected and created to act as a whole.

Perhaps this is what Leonardo meant when he said the spirit needs to work with the hands:  Sometimes, when our hands are able to create what our spirits are needing to express, what results is art–something that goes beyond just one person’s expression and becomes universally true and impactful in unique ways to the viewer.

Simply working with our hands can be healing and helpful, but when the spirit shows up expressing truth through beauty, this is art.

 

*  https://renee-phillips.com/art-and-artists-statements-by-famous-artists/

Mozambican Odyssey, #15: Sometimes We Cry

Window to the Soul, Oil Pastel on Pastel Paper, 14 x 11, by Susan E Brooks

Sometimes We Cry

The adjustment from one culture to another is called culture shock.  I had no idea what that was like, having never even been out of the country before the move to Mozambique, except on an anniversary cruise to the Bahamas.  Trust me.  Moving to Mozambique is no trip to the Bahamas.

The thoughts and feelings below are from my journal in August of 1996, just after moving to Mozambique, Africa:

I was excited to move into our house yesterday, but it has a few problems.  The toilet leaks sewage across the floor and into the shower stall.  I’m exhausted, and between a stressful team meeting last night and the toilet issues, I found myself in tears again last night.

(from 8/29/96, 3 days later)

What a week!  I tried to use the electric skillet, but it blew out the transformer.  All of our appliances from the states have to be plugged into a transformer to work on the 220 electricity.  Sometimes the transformers overheat, and it ruins both the transformer and the appliance.

We are supposed to have 220 electricity, but it fluctuates.  It’s really strange.  The lights suddenly become dim and flash on and off like a scene from a horror film.  This is also hard on appliances.  Our new refrigerator shut down after one of these episodes, so we called the electrician.  He pronounced our 5 day old refrigerator dead.  Desperate, we prayed, and tried one last time to get it going, and miraculously, it started running!

I needed that miracle.  Earlier today I was crying, again.  At that point we were nearly out of food, out of currency, no refrigerator, no vehicle, no way to manage.  What were we thinking, moving here sight-unseen with three kids and no overseas experience, at least none for me?  The tears flowed.

Somehow, by grace, by the end of the day we had a little money, and one of the local women agreed to walk to the market for me.  (She wouldn’t get swindled at the market like I would have.)  She came back with lots of fresh fruits and vegetables, and we had a meatless spaghetti meal for supper.  We invited a veteran missionary couple to eat with us and were comforted by their company and their sage advice.

Now in 2019, back in Kentucky, I still cry, but not about electricity or money or food.  I would not trade our time in Mozambique for anything, but neither do I want to relive it.  A quote from Dicken’s A Tale of Two Cities describes it better than any words I can invent. “It was the best of times, it was the worst of times,” but God got us through.

Last week, I cried over the fact that my little grandson was diagnosed with diabetes.  I hate it because, barring a miracle or the discovery of a cure, he will face that disease for the rest of his life.  But I know that God is faithful and gives us the strength to handle whatever comes along, even though, sometimes we cry.

This Artist’s Life, #11: Inspiration from Fellow Artists

This is one of the few animal paintings I’ve created. I’m now inspired to try more animals. We saw this young boy relaxing with his donkey as we traveled through Burkina Faso. 30 x 20 inches, Oil pastel on mat board, by Susan E. Brooks

Open Studio Weekend is an event sponsored by LVA, Louisville Visual Art, and by the University of Louisville Hite Art Institute in Louisville, Kentucky.  During this special weekend, scores of artists around town open their studios to the public, and LVA sells tickets with maps and information about all of the studios.  I did not sign up as an artist this year; instead, I enjoyed visiting the studios of fellow artists. It was an inspiring weekend for me.

The first artist we visited was Helen Merrick.  Helen uses bright colors to paint just about any subject you can imagine.  Helen inspired me to think about painting subjects that I don’t usually paint, such as animals or historic sites, and to try different mediums, such a watercolors or alcohol inks.  Thank you, Helen!

The next artist we visited was Anne MacCracken Borders.  She showed me that  I could open up my back porch studio area to visitors, and reminded me that I have traveled to many interesting places around the world that I could paint.  I will be digging into my travel photos soon!  Thank you, Anne.

On Sunday I stopped at KORE Gallery to hang out, both as an artist and as a visitor to my gallery owner’s studio.  I had never taken in Don Cartwright’s studio, which is filled with beautiful abstract paintings.  Abstract painting has not been my purview, but sometimes I feel that it takes more creativity than working from life or photos.  Thanks, Don, for sharing your creative imagination with us through your painting.

Our last stop on the Open Studio tour was at Debra Lott’s studio.  I love her colorful, haunting, floating figure paintings and portraits! She inspired me to think about how I can communicate powerful messages and advocate for justice with my art.  Thank you, Debra.

Thank you, LVA and  U of L Hite Art Institute for a great weekend of art!  Perhaps I will invite you all to my place next year.  Meanwhile, here’s my next big event: